Voss by Patrick White
From the Reviews:
- "But re-reading Voss also demonstrates again that although White wasn't "a nice man", and indeed was -- perhaps rightly -- scathingly dismissive of my and other Australian writers' work and origins unless they were his friends, he was a genius, and Voss one of the finest works of the modernist era and of the past century." - Thomas Keneally, The Guardian
- "The pace of the book, the strength and power of the prose, the tension and dramatic force, were all there, but when the book strikes off into the deserts of mysticism, I am one of those people who would sooner slink home." - Kylie Tennant, Sydney Morning Herald
- "The main virtue and justification of his novel lies in his profound and moving portrayal of the relationship that binds Voss and Laura, and also in his poetic and perceptive description of the Australia of a century ago." - Times Literary Supplement
The complete review's Review:
Voss is a remarkable book. White's language here is at its
simplest and most direct, his story is brutal and wrenching. Set in the mid-nineteenth
century White relates the story of Voss, a German who sets out to cross the
Australian continent. With a ragtag group he sets out on his ill-advised
adventure organized and supported by the wealthy Sydney resident Edmund Bonner.
The counterpart to the story of Voss' journey is that of Laura Trevelyan, the
Bonner's orphaned niece.
Laura and Voss are soulmates, realizing only after Voss has finally set
off that they belong to each other. Voss proposes in a letter, and Laura waits
for him. It is a heartbreaking romance, the two strong-willed individuals, both
outsiders, binding their fates together. An unlikely romance, it is haunting and
touching. To add to its scope Laura also gets a child, sweet Mercy, in one of
White's elegant plot twists.
The story is remarkable, and remarkably well-told. Neater than many of
White's novels, the story unfolds with subtle perfection. It is finely crafted,
perfectly structured, despairingly eloquent. It is a beautiful romance.
White's common leaps of time are less bothersome here than elsewhere in
his fiction. It is a weighty book -- long, occasionally ponderous -- and it
requires some patience. That said: it is near-perfect, and highly recommended to
one and to all.
There seems to have been some ambivalence among Australians regarding
this ultra-Australian novel. The influence of the book down under has been,
perhaps, too great, and given its white-hot portrayal of the nation and the
people it arguably touches too close to home. We never approved of nationalist
criticism (never approving of nationalism in any form) so we do not think Aussie
complaints regarding this book should be taken too seriously. Nevertheless we
feel obligated to quote Patrick Whites own words, written some twenty-five years
after publication of this great book:
"As it is I'm a dated novelist, whom hardly anybody reads, or if they do, most of them don't understand what I am on about. Certainly I wish I had never written Voss, which is going to be everybody's albatross."
(From a letter to Joseph Losey, April 4, 1981. Losey was the man White had chosen to direct the film version of the book, a project that was never realized.)
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